Secunda, also known as Jone, Shandar's Sorrow (also spelled Stendarr's Sorrow) and Zennrili in Ta'agra, is the lesser of Nirn's two moons and acknowledged as one of the attendant spirits of the mortal plane. As such, is both temporal and subject to the bounds of mortality.[UOL 1] Secunda, which exists as a separate plane, has long since perished; it was Secunda's death which led mortals to perceive it as having both texture and limited size, as well as imperfections of color, all of which are the results of its decay from its former investiture of pure white.[UOL 1]
While regarded by various cultures as an attendant spirit of their god planet, minor god, or foreign god, Secunda is not displayed within Dwemer orreries,[UOL 1] neither does it hold a position within the pantheon of Imperial gods. In Khajiiti culture, walking the Path of Jone and Jode is a necessary step for a Lunar Champion seeking to become the Mane. The Bosmer regard Jone and Jode as spirits of fortune, both good and bad.
Secunda received its title from the Aldmer, who knew the plane as Jone ("Little Moon God"). Similarly, Secunda finds itself invested with a position of authority and reverence among the Khajiiti pantheon, as its phase at the time of their birth - along with that of Masser, the greater of Nirn's moons - determines their form.
In pre-ri'Datta Khajiiti culture, Jone is known under the title of the Ever-mourned, and is one of the two stillborn twins of Fadomai. As Fadomai was dying, Khenarthi didn't want her mother to despair in knowing of her twin's fate, and kept it to herself. The twins are known as the Twin Lanterns of Jone and Jode. Jode is known as the lantern of love, who’s "as hot and red as summer solstice,” and its twin Jone is the lantern of mercy, who’s “as cool and pale as a winter moon.” These lanterns were lit to give the illusion of their eyes being bright and full of life. Khenarthi then embraced them and rocked them in the sky until her mother passed. Azurah looks after them now and ensures their fires are kept lit, while the spirit Alkosh ensures their movement with the tapestry of time, ensuring that they are not locked in place to prevent the undesirable from slipping through the Lunar Lattice. The Twin Lantern's love for the Khajiiti people is expressed through Moonlight and Moon Sugar. 
After Azurah cleansed Lorkhaj of Namiira's corruption, Azurah embraced her brother until he died. She made a funeral pyre before the Varliance gate, and lit it with the Twin Lanterns of Jone and Jode. Her tears fell upon the pyre and the ashes scattered across the Lattice. As a result, it is said Azurah can call upon the "true spirit" of Lorkhaj to appear. Sometime before the "first memory" of the Khajiiti people, Azurah used the Twin Lanterns to summon Lorkhaj's true spirit to be a sky-guardian as the third moon.
The Lunar Lorkhan suggests that Masser originated as one of the halves of Lorkhan's "flesh-divinity", cast within the bounds of Nirn at the time of his destruction, and thus, is a personification of the dichotomy that Lorkhan legends often rail against ideas of good versus evil, being versus nothingness, and so on. It is believed that Masser was thus purposefully set in the night sky as Lorkhan's constant reminder to his mortal issue of their duty. The War of Manifest Metaphors contradicts this claim. Additionally, both modern and ancient Khajiiti religion places the two moons as separate entities that existed prior to Lorkhan's punishment at Convention, and only believe that the third moon, the Dark Moon, is Lorkhaj's corpse.
There's an ancient legend about a master jumper from Quin'rawl named Anahbi, who leapt from Nirn and almost fell into Oblivion, but was caught by Jone and Jode. Anahbi quickly took the light from Jone and leapt for Nirn again. The two moons had followed suit and danced across the skies to grab her. When they caught her again, she stole the light from Jode and tried to escape again, but they were able to restrain her. Anahbi promised to never do it again if they returned her home, and as a reminder of her promise, her brow bore speckles of stardust.
A Bretonic story tells of two star crossed lovers, Shandar and Mara, children from different villages at war with one another. After seeking to run away from home, they were caught by the guards, and Shandar was imprisoned, while Mara was put under house arrest. Her father arranged a marriage to prevent the pair from getting married, which was further escalated by Shandar being scheduled for execution for daring to love Mara. Learning of this, Mara escaped into the wilds in the dark of night, at a time period where the moons didn't exist and so was kidnapped by an Orc during her sleep which planned to devour her.
The village learned of Mara fleeing from her home, yet they were too frightened to seek her out and confront the Orc. Shandar begged and was given the chance to go, but the village after gaining their composure realized that it was a mistake to send a child to confront a monster. They came across a clearing, seeing the corpse of the Orc and a mourning Mara holding the severed head of Shandar. With Mara's tears flowing down at his head, Shandar prayed to his lovers' namesake, and the goddess Mara responded. She did not have dominion over the death, and thus could not resurrect Shandar, but sought to keep their love alive. The goddess Mara reached down from the heavens and placed Shandar and Mara in the sky, and the lovers are now known as the moons Mara's Tear (Masser) and Shandar's Sorrow (Secunda), illuminating the night to keep away the evils that lurk. This story fits the themes of the pre-ri'Datta Khajiit, with the moons fitting the sphere of the children's namesake, with Mara's Tear being a lantern of love, and Shandar's Sorrow being the lantern of mercy.
The Bloodmoon is a phenomenon occurring when Hircine's Great Hunt is hosted on Nirn. During the Great Hunt, Secunda turns a deep shade of red and becomes the Bloodmoon. The hunt is believed to end when the Bloodmoon disappears, and Secunda turning red is considered a calling for the chase. The Bloodmoon occurs naturally in the Hunting Grounds, as the Great Hunts are constantly held there.
The Bloodmoon with the Werewolf Constellation (Dawnguard)
- Just like Masser is based on pictures of Mars, Secunda might be based on pictures of Enceladus, a moon of Saturn.
- Early design documents for Daggerfall named Shandar as the God of War.
- There is a valuable amulet called Jone's Tear, which has a jewel cut from a Varla Stone in the middle. It was made by the famous jeweler, Azesaz in the First Era.
- Burnt Scripture
- Holidays of the Iliac Bay — Theth-i
- Events of The Den of Lorkhaj in ESO
- Varieties of Faith: The Wood Elves — Brother Mikhael Karkuxor of the Imperial College
- Words of Clan Mother Ahnissi — Clan Mother Ahnissi
- The Tale of Three Moons
- Vastarie's dialogue in ESO: Elsweyr
- The Sky Spirits — Amun-dro, the Silent Priest
- The Favored Daughter of Fadomai — Amun-dro, the Silent Priest
- Moon-Bishop Azin-jo's dialogue in ESO: Elsweyr
- The Favored Daughter of Fadomai — Amun-dro, the Silent Priest
- The Lunar Lorkhan — Fal Droon
- Den of Lorkhaj loading screen in ESO
- Moon Bishop Hunal Answers Your Questions — Moon Bishop Hunal
- The Moon Cats and their Dance — Clan Mother Ahnissi
- Shazah's dialogue in ESO
- A Dance in Moonlight
- Mara's Tear — Zhen
- Druid King Kasorayn's dialogue in ESO
- Elder Verline's dialogue in ESO
- Files from Daggerfall Preview
- Shan-ra's dialogue in ESO
Note: The following references are considered to be unofficial sources. They are included to round off this article and may not be authoritative or conclusive.